It all began in his pizzeria in Spain. That's where Syrian
archaeologist Isber Sabrine was able to scrape together enough money to launch
his group, Heritage for Peace.
A 29-year-old
archaeologist from the hilltop town of Safita, in western Syria, Sabrine is
using modern technology to trace and document the looting and destruction of
his country's ancient heritage.
Working from an
office in Berlin, he runs a network in Syria of around 150 volunteers --
archaeologists, architects, students and simply concerned citizens -- who often
pose as antiquities buyers to see what has been stolen in the course of Syria's
now more than four-year uprising. He communicates with them via Skype when the
Internet in Syria is working, which isn't often.
"They go to
the locals and they say look, we are interested. They cannot buy, but at least
they make photos and they send us photos," says Sabrine. "Like this
we have a list of looted materials from Syria."
That list is
shared with law enforcement, auction houses and collectors. CNN asked if we
could publish some of those photographs -- we saw statues, mosaics and coins --
but Sabrine declined for fear the photos might expose the volunteers.
After years of
chaos, the market for stolen antiquities is flooded, and dealers are holding
back some of their most valuable items. "We know that the most important
objects don't go to market now," says Sabrine. "The big dealers are
waiting, maybe two, three or four years, and then when the opportunity is
right, they will sell."
The
culprits
Who is doing all the looting? Sabrine
and others I've spoken with say it's unlikely ISIS has the time or the
inclination to do the actually digging. Rather, it's often gangs, many Turkish,
who do the dirty work. They assemble teams, sometimes including people with
experience in archaeology, and use heavy equipment to retrieve what's of value,
often destroying other remains in the process.
With help from
Syrian and international archaeologists and preservation experts, Sabrine drew
up a "no-strike" list of important historical sites in the northern
city of Aleppo. His group shared the list with regime and opposition forces in
the hope that those sites would be spared. Unfortunately, they weren't -- and
many of Aleppo's iconic sites, such as its ancient citadel, covered market and
Great Mosque, have been damaged or destroyed.
Heritage for
Peace has walked a fine line between the Syrian regime and the opposition,
Sabrine says, but has no contact with ISIS, which has shown time and again its
contempt for all things, including Syria's and Iraq's ancient pasts, which
don't conform with its narrow vision of reality.
The work of
Heritage for Peace is made all the more difficult due to the lack of funding.
The group is made up of volunteers, who receive training from international
archaeologists and preservation expects who share their knowledge without
compensation. UNESCO, the U.N. Educational, Scientific and Cultural
Organization, is obliged to work through governmental bodies, so given that
large areas of Syria aren't under government control, there is little UNESCO
can do to help.
No resources for lifeless stones
At a time when Syria and Iraq are
wracked by war, with hundreds of thousands dead, many more wounded, and
millions made homeless and driven into exile, it's difficult to justify putting
resources and time into preserving ancient, lifeless stones.
Why should we care about the crumbling, dusty leftovers from the
distant past? I asked Markus Hilgert, an Assyriologist and director of Berlin's
Pergamon Museum, an important repository for artifacts from the Fertile
Crescent.
"A human
life doesn't have much value without culture to go with it," he says.
"Culture is what distinguishes human life from an insect."
Beyond that, he
points out, in times of deep sectarian antagonism and violence in Syria and
Iraq, the past could come in handy in the future. "If we are thinking
about trying to rebuild these societies, what are the unifying elements, what
are the cultural constants that everyone can possibly agree on?" Hilgert
asks. "The pre-Islamic history is one of those points of reference,"
he says.
The Pergamon
Museum is also trying to get a handle on the sudden upsurge in the illegal
antiquities trade.
"We're
trying to develop methods to uncover, to discover, to clear up this dark field
of crime, of organized crime, to understand the networks, to understand how
people interact, to understand how much money is made, to understand how the
objects come from Iraq and Syria to Germany," says Hilgert.
High demand
The trade in stolen artifacts
"starts with political instability, with economic difficulties, with a
legal framework in the source countries that is not apt at preventing crime in
that area," he says. But fundamentally, it exists because there is a
demand for such items.
"We must
not forget that there would be no pillaging, there would be less incentives for
pillaging archaeological sites, if there were no market. The market is the
incentive. The people buying the stuff are creating the incentive to loot
archaeological sites and museums."
Indeed, ISIS has posted a variety of videos from Iraq and Syria
boasting of its destruction of sites that date back to the second millennium
B.C. and has shown its supporters smashing statues in the Mosul Museum. But
smaller items, ones that are easier to transport but have a huge value, are
being smuggled out of the areas the group controls.
Like Sabrine,
Hilgert says much of the smuggling is being done by criminal gangs that already
have the contacts, infrastructure and resources for the illicit trade in drugs,
weapons and humans, as well as money laundering. In some cases, he adds, these
gangs will organize digging and looting teams on commission from dealers or
wealthy collectors in the West or the Gulf.
Both Sabrine and
Hilgert are hesitant to put a value on the illegal trade in antiquities.
Reports on ISIS' sources of revenue suggest the antiquities trade is its second
most important moneymaker after the oil business, but no hard, reliable data
exist.
And of course
it's pointless trying to put a monetary value on items that are completely
irreplaceable. Once lost -- whether through theft, violence or wanton vandalism
-- these antiquities are gone. Forever.
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